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      <image:title>INKLINGS - The Lie of the Land - Make it stand out</image:title>
      <image:caption>‍ Traveller, there is no path, The path is made by walking. Antoni Machado[i] Haunted  by a chronic sense of unease and by nightly visitations of bewilderment, the conclusion I’ve come to in recent months is that my disquiet is simply that of being human (disoriented and misplaced) in a modern world. I have lost my way. Or so it seemed, until I found myself walking a stone path heading out of the tiny lakeland hamlet of Rosthwaite, as dawn blushed over the brow of surrounding fells, heralding the imminent arrival of Storm Boelo. The moment my feet stepped onto the ancient stones and my eyes set upon its winding way, I noticed a softening of heart, an expansion of breath, and a visceral sense of re-membering, like an explosion in rewind where all the pieces fly back into a single coherent shape. I found myself walking on a stone path. Walking on a stone path, I found myself[ii]. *    *    * I found myself in the embrace of curvature. Behind me, beneath and ahead of me lay a curving, twisting, winding, arching, looping, coiling, bowing, and undulating path. A riddle of irregularity, devoid of straight lines. A perplexity of singular shapes which somehow manage to fit together into tracks and boundaries that have stood the test of flood, storm and frost over many hundreds of years. Armed with simple handheld tools, the Cumbrian kin who made these ancient ways and walls followed the lie of the land, bending here around the ancient oak tree, and looping back there to follow the crook of the moorland beck. The imprint of hand and foot and eye lie thick upon these stones. The  thrusting insistence of engine, machine and mechanism is nowhere to be seen. The technology is stone age. Heading towards the craggy uplands of Grasmere Common, the path dips in and out of sight, swallowed into the belly of the dale, only to reemerge over the next brow,  like a great whale diving and surfacing from the deep. There is something delicious about this game of hide and seek. I trust the path. Though it hides from my sight, I know it is still there. I know it is waiting for me. I feel like a child being thrown into the air by a loving father. I know the path will catch me – always. So why is it so very much harder to trust the path that winds and coils its way through the inner landscape of my life? When the way ahead seems lost (as it does now), why can I not trust that the path within is waiting for me to reach the brow or turn the corner; waiting with open arms ready to gather me up once more and lead me on. How did I lose faith in the lie of the land? *    *    *  It seems that I have been hoodwinked by the false promises of modernity, with its blind faith in a world that is altogether mapped out, and its insistence that the way ahead is  plain for all to see. I have bought into the notion that the path is the product of my will alone, of my conception and striving, as though I were a spider spindling a thread out of my own body. So when I lose sight of the way, I believe there must be something wrong with me. Walking this winding path through the timeless Borrowdale valley, I remember that the path running through me also follows the lie of the land, refusing to be bound by the efficiency of straight lines. The path within appears and disappears. It bends here around the roots of a storm-struck wound, loops back there around the crook of a forgotten childhood memory, all the while refusing to cut across the landscape of my life. The path is endlessly patient. It will take its time to find a way, all the while honouring the confluence of paths that weave the larger story, within which I am a but a small grassy lonning[iii]. My path is made of stories, steps and stones.  It does not reveal itself all at once, rather it unfolds in time. I cannot skip ahead to see the way in its entirety, for my path is a living thing, both ancient and brand new, which unfolds as the context shifts and turns around me. I must experience it step-by-step from the beginning, or perhaps through my beginning, for the path I walk has its origins in the deep time of rock and stone. ‘What is the difference between a rock, a stone, and a boulder?’ my son asks. We agree that they are all made of the same stuff, but that each has a different story (no two stones are the same), a story which unfolds through time. And time is what modernity refuses to give us. Time is money. We must not waste it in fruitless meandering. So we jump in our cars and drive from A to B. On foot everything stays connected. Where I’ve come from, where I stand, and where I’m headed. Earth, water and sky. The rowan, the elder and the willow. Everything is situated in a larger whole. Everything has its place, its ‘being-in-the-world’[iv]. The path also finds its place, its way, in relation to the whole. It is not constructed in isolation. It follows the lie of the land. So too must I. Step by step. Beat by beat. Verse by verse. I find my way. The path has not forsaken me. It is waiting to see me walk round that bend, step over the brow. The path is patient. It is not going anywhere. ‍</image:caption>
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      <image:title>INKLINGS - The Lie of the Land</image:title>
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    <lastmod>2025-10-09</lastmod>
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      <image:title>INKLINGS - A Flash of Crimson - Make it stand out</image:title>
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    <lastmod>2026-08-18</lastmod>
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    <lastmod>2024-01-31</lastmod>
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      <image:title>INKLINGS - The dark river - Make it stand out</image:title>
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      <image:title>INKLINGS - The dark river - Make it stand out</image:title>
      <image:caption>Ingleton Falls, Yorkshire Dales National Park - September 2023 (photo ©SusanHolliday)</image:caption>
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      <image:title>INKLINGS - Inevitable Grace - Make it stand out</image:title>
      <image:caption>Humans share 97% of their DNA with Orangutans</image:caption>
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    <lastmod>2023-08-05</lastmod>
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    <lastmod>2024-03-03</lastmod>
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      <image:title>INKLINGS - Touchstones - Make it stand out</image:title>
      <image:caption>Nascent River Derwent in Borrowdale, May 2022</image:caption>
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    <lastmod>2024-03-03</lastmod>
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    <lastmod>2023-05-10</lastmod>
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    <loc>https://www.susanholliday.co.uk/inklings/bluebell</loc>
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    <lastmod>2023-12-01</lastmod>
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      <image:title>INKLINGS - Bluebell Blessing - Make it stand out</image:title>
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      <image:title>INKLINGS - Bluebell Blessing - Make it stand out</image:title>
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    <lastmod>2021-09-19</lastmod>
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    <loc>https://www.susanholliday.co.uk/articles/mattering</loc>
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    <lastmod>2026-06-07</lastmod>
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      <image:title>ARTICLES - Mattering - CAPPADOCIA Ancient land of volcanic rock peppered with tiny openings carved by human hand over millennia to provide shelter for kith and kin</image:title>
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      <image:title>ARTICLES - Mattering - Make it stand out</image:title>
      <image:caption>Cave dwelling carved into the naturally sculpted conical rock spire</image:caption>
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      <image:title>ARTICLES - Mattering - Make it stand out</image:title>
      <image:caption>Tokali Kilise Fresco (mid 9th century)</image:caption>
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      <image:title>ARTICLES - Mattering - Make it stand out</image:title>
      <image:caption>Cathedral of life - Pigeon Valley, Cappadocia</image:caption>
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      <image:title>ARTICLES - Mattering - Make it stand out</image:title>
      <image:caption>Cave dwellings near Uçhisar, Cappadocia</image:caption>
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      <image:title>ARTICLES - The Dearest Freshness Deep Down - Zal approaches the palace of Rudabeh ~ Persian miniature c.1590*</image:title>
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      <image:caption>Earth stood hard as iron, water like a stone…</image:caption>
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      <image:caption>As a community of beings we are in effect all aspects of one indivisible skin, which needs to be strong enough to protect and sensitive enough to feel</image:caption>
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      <image:caption>Rosebay Willowherb – nature at its most intricate</image:caption>
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      <image:caption>The Crown – sovereign meeting place between seen and unseen</image:caption>
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      <image:caption>‘The Gleaners’ by Jean François Millet (1857)</image:caption>
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      <image:caption>‘The Gleaners’ by Jean François Millet (1857)</image:caption>
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      <image:caption>Above: Rosebay Willowherb – nature at its most intricate</image:caption>
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      <image:caption>Heron at dawn – an infinitely patient vision</image:caption>
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      <image:caption>The Crown – sovereign meeting place between seen and unseen</image:caption>
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      <image:caption>Oak sentinels at Richmond Park – keeping watch</image:caption>
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